Mr. Tseng has won numerous
top prizes at national and international competitions, both in the
United States and abroad. In 1990, he received the award for best
interpretation of a new composition at the Tchaikovsky International
Competition in Moscow, and three years later, he won the Silver
Metal at the 1993 Queen Elisabeth International Violin Competition
in Belgium. He has received prizes at the North Carolina and New
Jersey Symphony Artist Competitions and the Washington International
String Competition, among others.
Mr. Tseng has performed in recital and as a concerto soloist throughout
the United States, Europe, Central and South America, and the Far
East. Orchestras with which he has appeared as soloist include the
National Orchestra of Belgium, the Noordholan Philharmonic, the
Koninklijk Philharmonic Orkest van Vlaanderen, the Ensemble Orchestral
de Paris, the Simon Bolivar Orquesta Sinfonica, the Tibilisi Symphony
Orchestra, the Evergreen Symphony Orchestra, the Taiwan Symphony,
and the National Symphony Orchestra in Taiwan, among others. He
has appeared at prestigious venues such as the Carnegie Hall, the
Kennedy Center in Washington D.C., the Palais des Beaux-Arts in
Belgium, and the Theatre Des Champs-Elysees in Paris. His 1995 performance
in Beijing was televised throughout China.
A dedicated teacher, Mr. Tseng is currently teaching and serving
as Chair in Strings at Peabody Institute of the John Hopkins University,
as well as Chair in Strings, Yong Siew Toh Music Conservatory, NUS,
at the Peabody Institute.
He travels to his native Taiwan several times each year, where he
conducts masterclasses, seminars, and mentors a growing list of
prize-winning students. In addition, Mr. Tseng serves as the Artistic
Director of Shuan Yin International Music Festival and is a recording
artist under Dynamic and SYArts labels.
"An active Player who thrives on the contact between orchestra
and soloist....Tseng also succeeded brilliantly as recitalist, he
drew the audience away from a competition atmosphere." - The
Strad Magazine
"Here is the real thing, commanding presence, interpretive
ideas, a fully throughout conception of the music from beginning
to end....Here are musical ideas and performance skills wedded in
most convincing fashion." - Fanfare Recording Review.
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